Blues guitar lesson pdf free download

This book breaks down melodic A guitar lessons that looks at understanding seventh chords guitar theory in a comprehensive manner, ideal for those wanting deeper theoretical insight. Happy Traum. Stefan Grossman. By easily mastering the component pieces, you will quickly find you can write and adlib interesting, creative rhythm guitar … Guitar Educational. This comprehensive source for learning blues guitar is designed to develop both your lead and rhythm playing.

This starting volume of the Complete Acoustic Blues Method covers basic blues theory, left-hand techniques, call and response phrasing, intros, turnarounds, endings, and. Basic Blues Guitar Method, Book 2 , David Hamburger, Feb 1, … suited to strumming chords or playing with a guitar pick than the nylon string guitar.

Call And Response Call and response is a way of phrasing licks so that they respond to each other. One sounds as if it asks a question while the next responds back with the answer. When done right you should be able to "hear" the implied chord changes even with no band or accompaniment as back up. One way of accomplishing this is to end each phrase on a chord tone. Although not actually played in the chord, it sure sounds good to end on.

The call and response process goes on back and forth until the last two bars where the tum around enters. Check out the example on the next page and listen to it on the CD. Use this as a quick reference and to analyze and compare the tracks with one another. The rhythm tracks are designed for you to practice your soloing with. Over each rhythm Tve played a short blues solo to demonstrate what can be done, The solos are transcribed and accompanied by a lesson and analysis of suggested scales to use, rhythm feel and key the song is in.

Afier each solo is played, the song starts again without a solo, leaving the space for you to improvise on. This goes on back and forth until the last four bars of the blues cyele bars Here the phrases build excitement in bars 10 and 11 until the turn arounds at pars 12 and Tused a classic turn around at the end of each 12 bar cycle.

Most of the tum rounds mentioned earlier in this book could also work in place of the two shown here. In this typical 8 bar blues pattern, [ use all dominant chords except for the Dif diminished in bar four. For a nice twist try substituting minor 7 chords for the F 7 and B7 F m7 and Bm7. The scale pattem below diagrams the notes I played for the first half of the solo, These notes fit nicely over most of the chords.

The exception is over F 7 where you should play the circled notes instead. There's a lot of cool stuff you can do with just these notes. Try experiment with your own ideas. The minor 7th chords and dominant 7 9 in the last bar bring out the jazzy tones. Someone once said, " The most important thing in music is what is not the notes". How true this is. Not playing is just as meaningful as playing.

The space between the phrases gives the notes a chance to sink in, to be appreciated before the next note is heard. A good analogy is when someone talks. Do they talk endlessly, not giving others a chance to respond or do they pause to let another react? Try this approach with your guitar by playing a short line of notes then stop. During the break collect your melodic thoughts for the next lick and then execute it. Repeat this process through out the solo.

Vibrato is a great technique to use while sustaining notes. This involves shaking the note by gently bending the string back and forth ever so slightly. There's vibrato on all the held notes in this solo. Whenever you end a phrase try adding vibrato to the last note. Has, «Bion. This is accomplished by incorporating dominant 13th and 5 chords in bar 4, diminished chord in bar 6 and minor 7th chord in bars 8 and 9, A song similar to this is T-Bone Walker's "Stormy Monday".

The solo features the blues style of Albert King. Citdim, Em7 Am7 3fr. The pitch of the bend is raised three frets, Train your ear to hear this by playing the note three frets higher than the bend note, Put some meat behind the bend by pushing the string up with three fingers: put the third finger on the note to bend, plant the second and first fingers on the same string just behind the third.

Now bend like a madman! I just discovered Sylvester Weaver on there. Great stuff! Your email address will not be published. Your email:. Skip to content. Spread the love. Really appreciate it. May I ask what resonator are you playing in the D tuning video. Is it a Dean? Just curious Best wishes Martin. No email needed.

Is using a partial capo on the second fret, string 3 4 5 the same as an open tuning. Thanks for your efforts, Brian. Click on each letter below to be taken to the beginning of that letter in the list. For example, if you are looking for Stevie Ray Vaughan guitar tabs, click on the letter S, and if you are looking for Muddy Waters guitar tabs, then click on the letter M. The biggest reason is our collection of PDF blues guitar tabs will show the timing for each note.